In the book, the shaman narrator encounters this frightening vision of himself—which bears a strong resemblance to Ipellie—as a devilish figure with inverted eyes, tentacle-like black hair, and tiny screaming faces on his fingertips. The disturbing scene marks his arrival at Hell’s Garden of Nede (an anagram of Eden), and the grotesque faces represent the inverse Ten Commandments, crying “Thou Shalt” instead of “Thou Shalt Not.” Discovering the Christian belief that good-natured people are sent to Heaven to be false, the shaman destroys the monstrous mirage with a knee to the groin. According to scholar Kimberley McMahon-Coleman, through this empowering act, the shaman “has saved himself without the agency of the Church or its ministry.” Foregrounding Inuit spirituality and autonomy, this vivid story is part of Ipellie’s broader critique of the negative impact of Christianity on Inuit culture in Arctic Dreams and Nightmares.   This artwork was featured in the ACI newsletter “Terrible Beauties: Haunting Canadian Art” from October 30, 2020. Read the full newsletter here, or sign up here to receive our weekly Canadian art highlights.