The work reflects the influence of Synchromism, an abstract art movement concerned with the use of colour and the importance of the human body, which dominated Munn’s work in the 1910s and 1920s. She declared in her notebook that “the outworn beauty is the beauty of mere appearances. The new beauty is the beauty of principles. Not the world aspect but the world order.” By the early 1920s, Munn had refined her experiments with colour to achieve a rhythm and composition akin to musicality, an attribute much sought after by many modern artists engaged with abstraction. 

Munn exhibited The Dance at the annual exhibition of the Royal Canadian Academy of Arts in 1923. It stood out dramatically from other paintings: the Mail and Empire critic described it as “unique” and a “futuristic painting with a cubist suggestion,” but it was not fully understood at the time. Reviewer Newton MacTavish suggested that “Miss Munn ought to be on hand to explain her art theories for she must have them.”

This Spotlight is excerpted from Kathleen Munn: Life & Work by Georgiana Uhlyarik.