
Gershon Iskowitz, Lowlands No. 9, 1970 Oil on canvas, 121.9 x 93.9 cm, Vancouver Art Gallery
The pictorial space of Lowlands No. 9, with its small clusters of two or three “blips,” bears no resemblance to the kind of nonrepresentational painting dominated at the time by Canadian artists such as Jack Bush (1909–1977), Yves Gaucher (1934–2000), and Guido Molinari (1933–2004). Nor do Iskowitz’s Lowlands pieces fit comfortably into any of the then-current abstract categories of colour-field, hard-edge, or systemic optical painting. They are unique. In them, the artist was inventing a painting language that would be his alone. This Spotlight is excerpted from Gershon Iskowitz: Life & Work by Ihor Holubizky.
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