Wieland reduces the visual information required to construct these scenarios. In some frames the boat consists of little more than a white triangle to suggest a sail, and the sea is indicated by an expanse of striated blue paint. Despite this shorthand the geometric shapes are intelligible as objects and spaces, and it is easy to empathize with the boats that have starring roles in these quasi-cinematic sequences.   Wieland devises a clever way of manipulating the viewer’s emotional response. The little bobbing boat in Boat Tragedy may be absurd, but it is difficult to remain aloof from the drama, and from the sense of a tragic ending.   This Spotlight is excerpted from Joyce Wieland: Life & Work by Johanne Sloan.