Norval Morrisseau (1931–2007) is considered by many to be the Mishomis, or grandfather, of contemporary Indigenous art in Canada. His life has been sensationalized in newspapers and documentaries while his unique artistic style has pushed the boundaries of visual storytelling. The creator of the Woodland School of art and a prominent member of the Indian Group of Seven, Morrisseau is best known for using brilliant colours and portraying traditional stories, spiritual themes, and political messages in his work. For more on Norval Morrisseau read Carmen Robertson’s Norval Morrisseau: Life & Work.
About the Curator: Dr. Carmen Robertson
Dr. Carmen Robertson is the Tier I Canada Research Chair in Indigenous Art and Material Culture at Carleton University, Ottawa. An Indigenous scholar, her research centres on contemporary Indigenous arts and constructions of Indigeneity in popular culture. Her most recent book is Mythologizing Norval Morrisseau: Art and the Colonial Narrative in the Canadian Media.
Banner Image: Norval Morrisseau, Artist in Union with Mother Earth (detail), 1972, acrylic on canvas, 77.5 x 116.8 cm, National Gallery of Canada, Ottawa.
Gallery

Untitled (Thunderbird Transformation), c.1958–60

Self-Portrait Devoured by Demons, 1964

Artist in Union with Mother Earth, 1972

Water Spirit, 1972

Indian Jesus Christ, 1974

The Gift, 1975

Man Changing into Thunderbird, 1977

The Storyteller: The Artist and His Grandfather, 1978

Androgyny, 1983

Observations of the Astral World, c.1994
Explore More
Online Exhibitions



