A B&W photo of Laurier Lacroix

Laurier Lacroix CM

Author

Laurier Lacroix, C.M., is a professor emeritus of the Université de Québec à Montréal, where he taught art history and museum studies. He holds a master’s degree in literature and French civilization (McGill), a master’s degree in art history (Université de Montréal), and a doctorate in history (Laval). He began his teaching career at Concordia University. His research interests are principally in the fields of public collections, art in Quebec and Canada before 1940, and the historiography of art history. He is currently at work on a historical study of artists’ studios in Quebec. His curatorial projects include the exhibitions and catalogues François Baillairgé (1985), Peindre à Montréal entre 1915 et 1930 (1996), retrospectives of the work of Ozias Leduc (1978, 1996) and Marc-Aurèle de Foy Suzor-Coté (1986, 2002), and Les arts en Nouvelle-France (2012). His doctoral dissertation on 180 religious paintings imported from France to Quebec in 1817 and 1820 by two priests, the Desjardins brothers, was the subject of an exhibition at Quebec and Rennes, 2017. His interests include contemporary art and he has curated exhibitions of work by, among others, Irene F. Whittome (1990, 1998, 2004), Pierre Dorion (2002), Guy Pellerin (2004), Marc Garneau (2002, 2014), Robert Wolfe (2006), Micheline Beauchemin (2009), and Lisette Lemieux (2016, 2017). He received the Career Award of the Société des musées québécois (1997) and the Gérard-Morisset Prize (2008). Laurier Lacroix is a member of the Société des Dix (2005), the Académie des lettres du Québec (2012), and the Conseil du patrimoine culturel du Québec (Council of Quebec Cultural Heritage).

Online Art Books

A boy wearing a striped shirt and a grey hat, absorbed in playing the harmonica. He is seated on a simple chair next to a wooden table. On the table rests a ceramic bowl containing a metal spoon and a half-eaten slice of white bread
Ozias Leduc: Life & Work

Essays

EssayDefiant Spirit

Quebecois artist Ozias Leduc drew on Europe but created a Canadian ideal

Spotlights

SpotlightThe Artist’s Muse

Ozias Leduc’s Erato (Muse in the Forest), c.1906

SpotlightA Study in Harmony

Ozias Leduc’s Boy with Bread, 1892–99, visualizes both sound and time