Photograph of Shirley Madill

Shirley Madill

Author

Shirley Madill has curated two exhibitions of work by Kent Monkman, Kent Monkman: The Triumph of Mischief at the Art Gallery of Hamilton in 2007 and Kent Monkman: The Four Continents at the Kitchener-Waterloo Art Gallery in 2016. Madill was chief curator and director of programming at the Art Gallery of Hamilton between 1999 and 2006 and later accepted the position of director and CEO at the Art Gallery of Greater Victoria. She returned to Ontario as director of the Rodman Hall Art Centre, Brock University, in 2008 and is currently executive director at the Kitchener-Waterloo Art Gallery. In 1993 Madill spent a residency in Valenciennes, France, at the École supériore des beaux-arts de Valenciennes as part of the Canada-France agreement with Canadian Heritage. She was the Canadian commissioner for the Bienal de São Paulo in 2004 featuring the work of David Rokeby. Her curatorial projects include Future Cities, Art Gallery of Hamilton, 2004; Sublime Embrace: Experiencing Consciousness in Contemporary Art, Art Gallery of Hamilton, 2006; David Hoffos: Scenes from the House Dream, Southern Alberta Art Gallery, Lethbridge, 2009, and Museum of Contemporary Canadian Art, Toronto, 2010; The Future of the Present, Scotiabank Nuit Blanche Toronto, 2011; and Milutin Gubash, Kitchener-Waterloo Art Gallery, 2012.

Online Art Books

Photograph of a person with long black hair and the top of their face painted red. They are wearing long fringe earrings, dozens of red beaded necklaces over a bare chest, and long red gloves, by Ken Monkman
Kent Monkman: Life & Work
Painting of a man wearing a feather headdress and large necklace over grey clothing. The background is solid blue with solid horizontal lines across the top in purple, black, red, and blue, by Robert Houle
Robert Houle: Life & Work

Print Books

Book Mockup of Kent Monkman: Life & Work
Out of printKent Monkman: Life & Work
Book Mockup of Robert Houle: Life & Work
AvailableRobert Houle: Life & Work

Essays

EssayIntroducing Miss Chief

An excerpt from the ACI’s book “Revision and Resistance”

EssayNaming and Reclaiming

Robert Houle’s art critiques appropriation of Indigenous culture

Shirley Madill - Art Canada