The Index, 2007

David Altmejd, The Index, 2007, mixed media, installation view at the 52nd Venice Biennale, Italy, June–November 2007, Collection of Art Gallery of Ontario, Toronto.
In 2007 Parkin saw this work by David Altmejd at the Venice Biennale.
“I love David Altmejd. His work is just the opposite of Minimalism. He’ll express his view of another world populated by werewolves and things that are rather repulsive, but at the same time the pieces have a magic that draws you in. It’s like you can’t resist it, but it’s dangerous. It’s like sparkling jewels, but he mixes those jewels with these animals, and the whole thing is otherworldly. You might say, ‘How can you look at this work and feel passionately?’ All I know is that my passions are diverse.”
Gallery

Tobacco Patch by George Pepper, 1937

Portrait of a Lady by Rogier van der Weyden, c. 1460

Chromatic Accelerator by Claude Tousignant, 1968

Hailstorm in Alberta by William Kurelek, 1961

Femme assise by Pablo Picasso, 1927

Elvis I and II by Andy Warhol, 1963–64

Blue Running Shoes by Gathie Falk, 1973

Iceberg by Paterson Ewen, 1974

Barren Ground Caribou by Joyce Wieland, 1977–78

Sticky Wicket by Mark di Suvero, 1978

The Three Graces by General Idea, 1982

The London Six by John Boyle, 1984

Tree with Bench, Vancouver, B.C. by Rodney Graham, 1998

Happy Holiday by Agnes Martin, 1999

Infe©ted Mondrian #9 by General Idea, 1994

Rapture by Shirin Neshat, 1999

No. 1, White and Red by Mark Rothko, 1962

People Walking by Julian Opie, 2006

Sol LeWitt: A Wall Drawing Retrospective at Mass MoCA

The Index by David Altmejd, 2007