A triptych painting by Robert Houle of a green landscape under a blue sky with a body of water visible on the right. In the centre panel, a tattooed Indigenous warrior wears a blue and red garment, a beaded bag, and a beaded and feathered headdress. A musket and a tomahawk are on the ground in front of him. He sits on a rock and looks at the water with his chin on his hand.
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Decolonization

through the art of

Robert Houle

Grades 7–12

Decolonization through the art of Robert Houle

Robert Houle (b.1947) is one of Canada’s most celebrated contemporary artists. He is of Anishnabe Saulteaux heritage and a member of Sandy Bay First Nation, Treaty 1 Territory, in Manitoba. Houle’s work examines colonialism in Canada, from events that took place decades ago to ongoing practices, and he has described his work as a form of decolonization. Decolonization has been defined in different ways (it can be a personal transformation; a literal repatriation of land, goods, or cultural objects; or a visual or symbolic change within a space, institution, or community), but fundamentally it is about confronting colonialism by challenging it and undermining it, a process that can be empowering. This guide explores how Houle has confronted colonialism by appropriating colonial images and documents and by creating artworks that focus on Indigenous experience.

Learning Activities
  • Revisiting Ways of Representing Canadian History
  • Exploration of Robert Houle’s Premises for Self-Rule: Treaty No. 1
  • Creative Response to a Treaty Text
Related Subjects
  • Visual arts
  • First Nations, Métis, and Inuit Studies
  • History
  • Social studies

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