Newspaper Boy, 1869

Edward Mitchell Bannister, Newspaper Boy, 1869, oil on canvas, 76.6 x 63.7 cm, Collection of the Smithsonian American Art Museum, Washington, DC, Gift of Jack Hafif and Frederick Weingeroff (1983.95.85).
After moving to Providence from Boston in 1869, Bannister exhibited two portraits that were immediately noted in the local press: this depiction of a young newspaper vendor, and a painting of the prominent abolitionist (and Bannister’s friend) William Lloyd Garrison. In this work, the light-skinned boy is rendered with a muted palette of browns and reds, recalling Bannister’s Portrait of Christiana Carteaux Bannister, c.1860. The right side of the figure’s face is cast in shadow, while his visible features express a sense of worry and burden typically reserved for adulthood. In its straightforward approach, this rare surviving portrayal of an African-American subject by Bannister departs from the sentimental images of homeless and working children that prevailed in the mid-nineteenth century.
Gallery

Untitled (Rhode Island Seascape), c.1856

Portrait of Christiana Carteaux Bannister, c.1860

Untitled (moon over a harbor, wharf scene with full moon and masts of boats), c.1868

Newspaper Boy, 1869

Governor Sprague’s White Horse, 1869

Fort Dumpling, Jamestown, Rhode Island, n.d.

Oak Trees, 1876

Untitled (floral still life), n.d.

Fishing Shacks, c.1877–85

Newport, 1877–82

Hay Gatherers, c.1893

People Near Boat, 1893

Seaweed Gatherers, c.1898

Untitled (Landscape with Bridge), n.d.

Boston Street Scene, 1898–99