Artist group General Idea—comprised of AA Bronson, Felix Partz, and Jorge Zontal—pushed the boundaries of Canadian art during the 1970s and 80s. Working and living together for twenty-five years, General Idea created internationally acclaimed conceptual art projects, making bold statements about queer identity, commerce, consumption and the media. The group’s artistic statements about queer identity were ahead of their time and the significance and activist dimension of many of their works cannot be understated. For more on General Idea read Sarah E.K. Smith’s General Idea: Life & Work.
About the Curator: Sarah E.K. Smith
Sarah E.K. Smith is a SSHRC Postdoctoral Fellow at Harvard University, where she is affiliated with the Transnational Studies Initiative. Her research focuses on contemporary art, with specific interest in socially and politically engaged art in Canada. Smith works as an independent curator and has held the position of Curator of Contemporary Art at the Agnes Etherington Art Centre in Kingston. Major curatorial projects include I’m Not Myself At All: Deirdre Logue and Allyson Mitchell, 2015.
Banner Image: General Idea, The 1971 Miss General Idea Pageant (detail), 1971, various media (including mail art project, performance, photography, and ephemera), dimensions variable, various collections, including Collection of the Carmen Lamanna Estate, Toronto; documentation and ephemera held at the National Gallery of Canada, Ottawa.
Gallery

The 1971 Miss General Idea Pageant, 1971

FILE Megazine, “Glamour Issue,” 1975

Showcard Series, 1975–79

Pilot, 1977

Test Tube, 1979

Nazi Milk, 1979

The Boutique from the 1984 Miss General Idea Pavillion, 1980

Cornucopia, 1982

Mondo Cane Kama Sutra, 1984

Shut the Fuck Up, 1985

AIDS, 1987

Fin de siècle, 1990

One Year of AZT, 1991
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