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The Bounce, 1886

Black and white composite photograph by William Notman of a group of men standing in a snowy field with their arms up, waiting to catch a man who has been thrown up in the air. The men are wearing striped coats, hats, tall socks, and short boots. A distant forest is painted on the backdrop near the horizon.

William Notman & Son, The Bounce, Montreal Snowshoe Club, 1886, composite, silver salts on glass, gelatin dry plate process, 25 x 20 cm, McCord Museum, Montreal.

Notman’s creativity and desire to be able to do more with studio photography drove his technical innovations. The simplest of these were the techniques he developed to convincingly stage his narrative winter scenes: the polished zinc plate he created to stand in for ice, lambswool for piles of snow, and paint on the glass negative to mimic the effect of falling snow. This image brings some of those props together with Notman’s creativity and skill with composite photography. In this case, the initiation ritual of the snowshoe club was recreated in various still vignettes that were cut, pasted, and re-photographed to create this now iconic image.

Gallery

Black and white photograph by William Notman of bridge under construction. A train track runs down the centre and pieces lay on the track, not yet installed.

Framework of Tube and Staging Looking In, Victoria Bridge, 1859

Black and white photograph by William Notman, taken in studio, of a group of men seated around a campfire at night, the light illuminating their faces. Behind them is a tent, trees (casting shadows on a wall or backdrop), and snowshoes.

Around the Camp Fire, 1866

Black and white photograph by William Notman of a street in front of a stone building. Two men sit in a horse-drawn sleigh, the seat covered in furs. A man in a long coat holds the horse's reins as they pose motionless for the photo.

Mr. Collins’ Sleigh at Notman’s Studio, Bleury Street, 1868–69

Black and white photograph by William Notman of a scene by a waterfall. In the foreground are piles of crumbling shale rock and a small man standing on top of them, fishing. The waterfall appears in the distance, blurred by mist.

Chaudière Falls, 1870

Hand-painted composite photograph by William Notman of a large crowd socializing in an indoor skating rink, all dressed in elaborate costumes. Flags, chandeliers, and tree garlands hang from the rafters.

Skating Carnival, Victoria Rink, 1870

Black and white photograph by William Notman of a young girl sitting on a chair on a porch. She is looking at the camera and wearing braids, a white hat, a dress, boots, and is holding a dog in her arms. A lattice wall and balustrades behind the girl let light in and a window shade is open to her left.

Miss H. Frothingham, 1871

Black and white photograph by William Notman of a woman in a long frilly white dress sitting in a conservatory. The photo is taken from a high angle and features a floor with a busy repeating pattern, large potted plants surrounding the woman's chair, a small statue of a woman in Greek or Roman dress placed on a ledge, and large flowering bushes in the background.

Mrs. William MacKenzie in Allan’s Conservatory, 1871

Sepia-toned composite photograph by William Notman and William James Topley of a fancy-dress ball at Rideau Hall. Small individual portraits are cut out and arranged together to form the crowd. Two figures sit on raised thrones on the far left of the frame.

Fancy Ball Given by the Governor General Lord Dufferin at Rideau Hall on February 23, 1876, 1876

Black and white composite photograph by William Notman of a group of men standing in a snowy field with their arms up, waiting to catch a man who has been thrown up in the air. The men are wearing striped coats, hats, tall socks, and short boots. A distant forest is painted on the backdrop near the horizon.

The Bounce, 1886

Black and white photograph by William Notman of bridge under construction. A train track runs down the centre and pieces lay on the track, not yet installed.

Framework of Tube and Staging Looking In, Victoria Bridge, 1859

Black and white photograph by William Notman, taken in studio, of a group of men seated around a campfire at night, the light illuminating their faces. Behind them is a tent, trees (casting shadows on a wall or backdrop), and snowshoes.

Around the Camp Fire, 1866

Black and white photograph by William Notman of a street in front of a stone building. Two men sit in a horse-drawn sleigh, the seat covered in furs. A man in a long coat holds the horse's reins as they pose motionless for the photo.

Mr. Collins’ Sleigh at Notman’s Studio, Bleury Street, 1868–69

Black and white photograph by William Notman of a scene by a waterfall. In the foreground are piles of crumbling shale rock and a small man standing on top of them, fishing. The waterfall appears in the distance, blurred by mist.

Chaudière Falls, 1870

Hand-painted composite photograph by William Notman of a large crowd socializing in an indoor skating rink, all dressed in elaborate costumes. Flags, chandeliers, and tree garlands hang from the rafters.

Skating Carnival, Victoria Rink, 1870

Black and white photograph by William Notman of a young girl sitting on a chair on a porch. She is looking at the camera and wearing braids, a white hat, a dress, boots, and is holding a dog in her arms. A lattice wall and balustrades behind the girl let light in and a window shade is open to her left.

Miss H. Frothingham, 1871

Black and white photograph by William Notman of a woman in a long frilly white dress sitting in a conservatory. The photo is taken from a high angle and features a floor with a busy repeating pattern, large potted plants surrounding the woman's chair, a small statue of a woman in Greek or Roman dress placed on a ledge, and large flowering bushes in the background.

Mrs. William MacKenzie in Allan’s Conservatory, 1871

Sepia-toned composite photograph by William Notman and William James Topley of a fancy-dress ball at Rideau Hall. Small individual portraits are cut out and arranged together to form the crowd. Two figures sit on raised thrones on the far left of the frame.

Fancy Ball Given by the Governor General Lord Dufferin at Rideau Hall on February 23, 1876, 1876

Black and white composite photograph by William Notman of a group of men standing in a snowy field with their arms up, waiting to catch a man who has been thrown up in the air. The men are wearing striped coats, hats, tall socks, and short boots. A distant forest is painted on the backdrop near the horizon.

The Bounce, 1886

The Bounce - Art Canada