Pegi Nicol MacLeod, Narcissus, c.1931, oil on canvas, 40.7 x 38.3 cm, Robert McLaughlin Gallery, Oshawa.

Acknowledgements


From the Art Canada Institute

The Art Canada Institute gratefully acknowledges the generosity of Power Corporation of Canada, Season Sponsor, 2026–2027 Publications. 


A heartfelt thank you to the sponsors of this publication:


TK


We thank the Founding Sponsor of the Art Canada Institute: BMO Financial Group. 


Finally, we acknowledge the generosity of all those who support the Art Canada Institute and make our work possible. 


From the Author

Many thanks to Sara Angel and the Art Canada Institute team for their commitment to this project and, perhaps most importantly, for their persistent encouragement (and gentle pressure) to see this important book through to completion. I am especially grateful to Victoria Nolte for her generous insights and thoughtful suggestions throughout the process, and to my editor, Sarah Brohman, whose careful reading and perceptive guidance strengthened the manuscript in countless ways. My sincere thanks to the reviewers for their thoughtful feedback and to everyone at the Art Canada Institute who contributed to bringing this book to life.


I am deeply grateful to my father, Julian Smither, who first introduced me to Pegi Nicol MacLeod’s work. His love of art, film, and culture has left an indelible mark on me and shaped the way I look at the world.


I would also like to thank the many archivists, curators, and collections staff who assisted me along the way. Their generosity made this book possible.


Finally, I thank my family, with love, for their unwavering encouragement and support throughout the writing of this book.

Image Sources

Every effort has been made to secure permissions for all copyrighted material. The Art Canada Institute will gladly correct any errors or omissions.


The Art Canada Institute would like to thank the following for their assistance: Agnes Etherington Art Centre, Queen’s University (Gabriel Bevilacqua); Alan Klinkhoff Gallery (Alan Klinkhoff, Yasmeen Khoury); Archives UQAM (Gabriel Pilon); Art Gallery of Greater Victoria (Salma Naili); Art Gallery of Hamilton (Andrea Howard); Art Gallery of Ontario (Alexandra Cousins); Art Museum at the University of Toronto (Alex King); Art Windsor-Essex (Emily McKibbon, Kirstie Montague); Canadian War Museum (Shannyn Johnson); City of Ottawa Archives (Emily Greenlaw; Katie Hull); Cowley Abbott (Julia De Kwant); Glenbow Archives (Chelsea Ambler); Heffel Fine Art (Martie Giefert); Leonard & Bina Ellen Art Gallery, Concordia University (Ronald Rose-Antoinette); Library and Archives Canada (France Vachon); McMichael Canadian Art Collection (Briana Pellizzari-Lento); Montreal Museum of Fine Arts (Marie-Claude Saia); Musée d’art contemporain de Montréal (Florence Morissette, Drinalba Sherifi); Musée national des beaux-arts du Québec (Julie Bouffard); National Gallery of Canada (Valérie Gauthier, Emma Metcalfe Hurst, Emily Putnam); Ottawa Art Gallery (Stephanie Germano); Provincial Archives of New Brunswick (Keith Macknight); Rare Books and Special Collections, McGill University Libraries (Jennifer Garland, Alexandra Kohn); Robert McLaughlin Gallery (Sonya Jones); Royal BC Museum (Ross Gamble); Royal Ontario Museum (Nicola Woods); University of New Brunswick Art Centre (Lori Quick); University of Toronto Archives & Record Management Services (Chloe Chaitov); Waddington’s Auctioneers and Appraisers (Solomon Alaluf); Winnipeg Art Gallery–Qaumajuq (Nicole Fletcher, Sydney Murchison); Laura Brandon.


ACI recognizes the additional private collectors who have given permission for their works to be published in this edition.

Credits for Cover Images

Pegi Nicol MacLeod, School in a Garden, c.1933. (See below for details.)

Painting of women in army uniforms and hats, with more uniformed women in the background

Pegi Nicol MacLeod, Untitled, 1944. (See below for details.)

Credits for Banner Images

Aritst Pegi Nicol Macleod posing for a photograph

Biography: Pegi Nicol MacLeod in Madge Smith’s shop on Queen Street, Fredericton, 1945. (See below for details.)

Painting of a shirtless woman wearing a long skirt, with her back to the artist, surrounded by flowers and hands holding blooms

Key Works: Pegi Nicol MacLeod, A Descent of Lilies, 1935. (See below for details.)

Painting of many windows on a building occupied with people.

Significance & Critical Issues: Pegi Nicol Macleod, New York Tenement, n.d. (See below for details.)

Painting of plants and vegetables in a garden, with leaves of green and red

Style & Technique: Pegi Nicol MacLeod, The Tangled Garden, 1935. (See below for details.)

Painting of men and women in a school garden, bending over to harvest fruits and vegetables, with a fence, people, and a bicycle in the foreground

Sources & Resources: Pegi Nicol MacLeod, School in a Garden, c.1934. (See below for details.)

Painting of people walking through Chinatown in Toronto, with signs and banners hanging in the background

Where to See: Pegi Nicol MacLeod, Chinatown, Toronto, c.1936. (See below for details.)

Painting of a vase of long-stemmed flowers sitting on top of a stack of books beside a window

Copyright & Credits: Pegi Nicol MacLeod, Narcissus, c.1931. (See below for details.)

Credits for Works by Pegi Nicol MacLeod

Painting of three people wearing winter hats in the foreground, with people playing hockey on an ice rink in the background

Amateur Hockey, n.d. Private collection. Courtesy of Alan Klinkhoff Gallery, Toronto. Photo credit: Alan Klinkhoff Gallery.

Black and white painting of barren trees in winter

Ashbury Hill, c.1925. Collection of the Art Gallery of Ontario, Toronto, purchase history and accession numberTK. Courtesy of the Art Gallery of Ontario. Photo credit: AGO.

Painting of four babies in blankets

Babies, 1938. Private collection. Courtesy of Heffel Fine Art Fine Art Auction House, Vancouver.

Painting of a bridge with a snowy road running underneath in muted blue and green tones

Bank Street Bridge, 1930. Collection of the Art Gallery of Ontario, Toronto, purchased 1981 (81/6). Courtesy of the Art Gallery of Ontario. Photo credit: AGO.

Birdseye view of a basket in a windowsill, filled with red, yellow, and green fruits and vegetables

Basket Still Life, 1934–37. Collection of the Art Gallery of Ontario, Toronto, gift of Elizabeth and Tony Comper, 2011 (2011/314). Courtesy of the Art Gallery of Ontario. Photo credit: AGO.

Painting of an older women

Bianinetnan, Aged Indian Woman of Hagwelget Canyon, c.1928. Collection of Tim Godfrey, Calgary. Courtesy not currently available.

Illustration of the profile of a kneeling woman with her hands in her lap and a hood covering her head

Blind Joe’s Wife, 1932. Collection of the National Gallery of Canada, Ottawa (23672). Courtesy of the National Gallery of Canada. Photo credit: NGC.

Abstract painting of a busy scene in New York, with people in apartment building windows and walking on the street

Building, Street Scene, New York, c.1940. Private collection. Courtesy of Cowley Abbott, Toronto.

Abstract painting of women in a room with bunk beds

Bunks, 1944. Private collection. Courtesy of Waddington’s Auctioneers and Appraisers, Toronto.

Painting showing children walking and playing in clear plastic bags with hoods, with one child in a clear hooded plastic bag, floating above the other figures

Children in Pliofilm, 1939. Collection of the National Gallery of Canada, Ottawa, purchased 1950 (5020). Courtesy of the National Gallery of Canada. Photo credit: NGC.

Painting of people walking through Chinatown in Toronto, with signs and banners hanging in the background

Chinatown, Toronto, c.1936. Collection of Art Windsor-Essex, Gift of Caven Atkins in memory of his wife, May Pepper Atkins, 1977 (1977.046). Courtesy of Art Windsor-Essex.

Painting of the ice rink at Rockefeller Plaza in New York City, with skaters on the ice and a large Christmas tree in the background

Christmas Tree and Skaters, Rockefeller Plaza, 1946. Collection of the National Gallery of Canada, Ottawa, purchased 1950 (5024). Courtesy of the National Gallery of Canada. Photo credit: NGC.

Painting of a window overlooking a muted colour scene, with a vase filled with colourful fresh flowers in the foreground

Cold Window, 1937. Collection of the National Gallery of Canada, Ottawa, purchased 1974 (17660). Courtesy of the National Gallery of Canada. Photo credit: NGC.

Painting of a woman looking forward while standing and drawing on a canvas, with a window, table, and chair in the background

Costume for a Cold Studio (Self-Portrait), c.1930. Collection of the Robert McLaughlin Gallery, Oshawa, purchased 1981 (1981MR26). Courtesy of the Robert McLaughlin Gallery.

Painting of a woman sitting cross-legged in a chair with her hair in an electric salon hair dryer chair while she writes on a pad of paper

CWAC Beauty Parlour # 1, 1944. Beaverbrook Collection of War Art, Canadian War Museum, Ottawa (19710261-5749). Courtesy of the Canadian War Museum.

Painting of a shirtless woman wearing a long skirt, with her back to the artist, surrounded by flowers and hands holding blooms

A Descent of Lilies, 1935. Collection of the National Gallery of Canada, Ottawa, purchased 1993 (37056). Courtesy of the National Gallery of Canada. Photo credit: NGC.

Painting of beds in a women's dormitory, with women dressing, putting up their hair, and embroidering material, with unworn shoes on a bed in the foreground

Dormitory, 1945. Beaverbrook Collection of War Art, Canadian War Museum, Ottawa (19710261-5828). Courtesy of the Canadian War Museum.

Painting of men and women in bathing suits, laying in the sun

Figures Sunning, c.1934. Collection of Art Windsor-Essex, Gift of Dr. and Mrs. Charles Comfort, 1976 (1976.026). Courtesy of Art Windsor-Essex.

Illustration of a group of people in a city scape

“Five O'Clock.” Canadian Forum 16 (October 1936), page 17, Rare Books and Special Collections, McGill University Libraries, Montreal.

Painting showing a conductor instructing an orchestra playing string instruments in the foreground, with an audience watching in the background. Musicians have sad expressions on their faces

Fugue, c.1945. Collection Lavalin du Musée d’art contemporain de Montréal (A 92 1057 P 1). Courtesy of the Musée d’art contemporain de Montréal.

Painting of a bridge spanning over a river, with houses and building on either side of the water

Harbour Bridge, c.1933. Collection of John and Lynda Shearer. Photo credit: John Shearer.

Painting of totem poles with houses in the background

Hazelton, 1928. Collection of the National Gallery of Canada, Ottawa, Gift of Margaret Shugg, Ottawa, 2000, in memory of O.J.W. Shugg (40366). Courtesy of the National Gallery of Canada. Photo credit: NGC.

Hook rug design depicting horses

Hooked rugs, Fredericton Region Museum. (information currently unavailable)

Painting of a young girl, asleep and laying on her side, while sucking her right thumb

Jane Asleep, 1944. Collection of the Art Gallery of Greater Victoria, Gift of Mrs. F. Maud Brown (1955.009.001). Courtesy of the Art Gallery of Greater Victoria.

Painting of a young girl looking at the artist while at a party, with another child in the background

Jane at a Party, 1945. Collection of the Art Gallery of Greater Victoria, Gift of Mrs. F. Maud Brown (1955.008.001). Courtesy of the Art Gallery of Greater Victoria.

Painting of a woman's profile, with her hair up and in curls

Jane MacLeod, 1940. Collection of Library and Archives Canada, Ottawa. Courtesy of Library and Archives Canada.

Painting of people walking on a sidewalk along Jarvis Street, with trees lining the street

Jarvis Street Sidewalk, c.1935-36. Collection of the Art Gallery of Ontario, Toronto, purchased 1939 (2525). Courtesy of the Art Gallery of Ontario. Photo credit: AGO.

Painting of a girl jumping rope while many people watch

Jump Rope, c.1945. Private collection. Courtesy of Cowley Abbott, Toronto.

Painting of a woman in a army uniform and hat

L.A.W. MacDonald, 1944. Beaverbrook Collection of War Art, Canadian War Museum, Ottawa (19710261-5781). Courtesy of the Canadian War Museum.

Painting of a river with logs in it, with trees and grass in the foreground

The Log Run, c.1930. Collection of Laura and Byrne Harper. Courtesy of Winnipeg Art Gallery-Qaumajuq. Photo credit: Ernest Mayer.

Line art illustration of of a group of musicians playing instruments

Merry Christmas.” Canadian Forum 16 (December 1936), page 13, Rare Books and Special Collections, McGill University Libraries, Montreal.

Painting of Montreal Harbour, with an island of trees and a lighthouse in the foreground, a boat in the water, and tall buildings of Montreal in the background, as the sun beams through clouds

Montreal Harbour from St. Helen’s Island, 1933. National Gallery of Canada, Ottawa, Vincent Massey Bequest, 1968 (15504). Courtesy of the National Gallery of Canada. Photo credit: NGC

Black and white painting of street corner with a house, tree and street light.

Montreal Street Corner, 1928. Collection of Charles Gordon, Ottawa. Courtesy of Charles Gordon. Photo credit: David Barbour.

Abstract painting of a red house in a green field and mountainous shapes in the background. Uses bright light greens, blues, reds and yellow

Morley Station, 1927. Private collection. Courtesy of Cowley Abbott, Toronto.

Painting of women in Canadian army uniforms, walking down the street as part of a parade with instruments, with people watching in the background

Morning Parade, 1944. Beaverbrook Collection of War Art, Canadian War Museum, Ottawa (19710261-5784). Courtesy of the Canadian War Museum.

painting of a women in an abstract landscape watery background

My Western Cousin, c.1927–29. Private collection. Courtesy of Winnipeg Art Gallery-Qaumajuq. Photo credit: Ernest Mayer.

Painting of a vase of long-stemmed flowers sitting on top of a stack of books beside a window

Narcissus, c.1931. Collection of the Robert McLaughlin Gallery, Oshawa, purchased 1981 (1981MR29). Courtesy of the Robert McLaughlin Gallery.

Painting showing a busy city scene, with people walking and gathering in the street and residents watching from apartment windows above the street

New York Apartment View—Manhattan, c.1940. Collection of the Art Gallery of Ontario, Toronto, Gift of Elizabeth and Tony Comper, 2011 (2011/324). Courtesy of the Art Gallery of Ontario. Photo credit: AGO.

Painting showing an apartment building with people looking out windows, standing on fire escapes, sitting on the front steps, and standing on the sidewalk

New York Street Scene—Tenement Folks Washing Up, n.d. University College Collection, Art Museum at the University of Toronto, Gift of Professor Barker Fairley (UC328). Courtesy of the Art Museum at the University of Toronto.

Painting of many windows on a building occupied with people.

New York Tenement, n.d. Private collection. Courtesy of Cowley Abbott, Toronto.

Abstract painting of a large crowd at a fair, with balloons floating in the air and a Ferris Wheel in the background

New York World’s Fair, c.1940. Private collection. Courtesy of Waddington’s Auctioneers and Appraisers, Toronto.

Painting in light blue hues of nuns standing on the street beside a car, as people in hats watch

Nuns on Jarvis Street, c.1935. Firestone Collection of Canadian Art, Ottawa Art Gallery, Donated to the City of Ottawa by the Ontario Heritage Foundation (FAC 1552). Courtesy of the Ottawa Art Gallery.

Abstract illustration in muted tones of an orchestra playing music, with a man playing a flute in the foreground

Orchestra Sketch I, c.1948. Collection of the National Gallery of Canada, Ottawa. Provenance unknown (16793). Courtesy of the National Gallery of Canada. Photo credit: NGC.

Abstract illustration in muted tones of an orchestra playing instruments, with a man playing a flute in the foreground

Orchestra Sketch II, c.1948. Collection of the National Gallery of Canada, Ottawa. Provenance unknown (16792). Courtesy of the National Gallery of Canada. Photo credit: NGC.

Painting of a busy street scene, with a crowd of people and a giant peace bird on the ground, with onlookers watching from their apartment buildings in the foreground and background

The Peace Bird, 1946. Collection of the Art Gallery of Greater Victoria. Gift of Mrs. F. Maud Brown (1981.009.001). Courtesy of the Art Gallery of Greater Victoria.

Simple illustration of a woman looking towards the viewer, with her hair in a short hair cut, wearing a v-necked shirt

Pegi by Herself, c.1926. Laura Brandon Collection of Canadian Women’s Art, Ottawa Art Gallery, Gift of Laura Brandon, 2016 (2016.12.02). Courtesy of the Ottawa Art Gallery.

Painting of a woman in a white off-shoulder dress, holding a bouquet of white flowers

Pegi with Cyclamens, 1936. Collection of the Art Gallery of Ontario, Toronto, Gift of Louise and Charles Comfort, Ottawa, in memory of the artist, 1987 (87/180). Courtesy of the Art Gallery of Ontario. Photo credit: AGO.

Painting of a pony from the side, with additional ponies in the background, in orange and blue hues

Ponies, n.d. University of New Brunswick Art Centre, Fredericton, Gift of Madge Smith (64.10). Courtesy of the University of New Brunswick Art Centre.

Painting of a man sitting in an armchair as he reads from a book

Portrait in the Evening, 1926. Collection of the National Gallery of Canada, Ottawa, purchased 1927 (3510). Courtesy of the National Gallery of Canada. Photo credit: NGC.

Painting men and women in a garden, harvesting crops and hoeing the soil

Public School Garden, 1934. Collection of the Art Gallery of Greater Victoria, gift of Mrs. June Mayall, 1980 (1980.092.001). Courtesy of the Art Gallery of Greater Victoria.

Painting of women in aprons, cooking salmon in a kitchen

Salmon in the Galley, 1944. Beaverbrook Collection of War Art, Canadian War Museum, Ottawa (19710261-5806). Courtesy of the Canadian War Museum.

School in a Garden, c.1933. Private collection. Courtesy of Cowley Abbott, Toronto.

Painting of men and women in a school garden, bending over to harvest fruits and vegetables, with a fence, people, and a bicycle in the foreground

School in a Garden, c.1934. Collection of the National Gallery of Canada, Ottawa, Vincent Massey Bequest, 1968 (15506). Courtesy of the National Gallery of Canada. Photo: NGC.

A portrait painting of a young women with short brown hair, looking forward with expressive eyes. They are wearing a light yellow scarf wrapped around their neck.

Self-Portrait, c.1928. Collection of the Agnes Etherington Art Centre, Queen’s University, Kingston, Gift of the Estate of Richard Finnie, 1995 (38-013.02). Courtesy of the Agnes Etherington Art Centre.

Painting of a woman with short hair, wearing a red and blue patterned scarf around her neck

Self-Portrait, c.1935. Collection of the Art Gallery of Ontario, Toronto, purchase history and accession numberTK. Courtesy of the Art Gallery of Ontario. Photo credit: AGO.

Painting of a young women using colourful paint strokes

Self-Portrait with Begonia, c.1935. Private collection. Courtesy of Heffel Fine Art Auction House, Vancouver.

Nude painting of a kneeling woman holding a standing small girl in front of her, with apartment buildings and windows filled with people in the background

Self-Portrait with Jane, c.1939. Collection of the Winnipeg Art Gallery, purchase history and accession numbertTK. Courtesy of Winnipeg Art Gallery-Qaumajuq. Photo creditTK.

Abstract painting of a river with tall bluffs on either side, in green and blue hues

Skeena Landscape, c.1928. Private collection. Courtesy of Heffel Fine Art Auction House, Vancouver.

Painting of a female holding a small pot with long flowers

The Slough (recto), 1928. Private collection. Courtesy not currently available.

Painting showing a band playing instruments in a crowd of people by a large fountain, with parked cars in the foreground and background

Square, Fredericton, c.1943. Collection of the Art Gallery of Ontario, Toronto, gift from the J.S. McLean Collection, 1969, Donated by the Ontario Heritage Foundation, 1988 (L69.28). Courtesy of the Art Gallery of Ontario. Photo credit: AGO.

Painting of plants and vegetables in a garden, with leaves of green and red

The Tangled Garden, 1935. Collection of the Art Gallery of Ontario, Toronto, purchase historyTK (80/22). Courtesy of the Art Gallery of Ontario. Photo credit: AGO.

Painting of a brown field of cows, some of them laying down or standing, some looking at the artist and others looking away

Tapisserie des vaches, 1934. Collection of the Robert McLaughlin Gallery, Oshawa, gift of Melodie Massey, 1997 (1997MP65). Courtesy of the Robert McLaughlin Gallery.

Painting of a crowd in the streets, with apartment building residents looking out of their windows

Tenements, 1945. Collection of the National Gallery of Canada, Ottawa, purchased 1950 (5026). Courtesy of the National Gallery of Canada. Photo credit: NGC.

Painting of many small garden plots of a city community garden, with different people harvesting crops and hoeing soil

Toronto Victory Garden, c.1937. Collection of the Art Gallery of Ontario, Toronto, gift of Mrs. L. Marguerite Vaughan, Toronto, 1983 (83/243). Courtesy of the Art Gallery of Ontario. Photo credit: AGO.

Painting of a half-nude woman wearing a towel around her waist and showing her breasts, with a bouquet of flowers held by the woman in the foreground

Torso and Plants, c.1935. Collection of the Robert McLaughlin Gallery, Oshawa, purchased 1981 (1981MP19). Courtesy of the Robert McLaughlin Gallery.

Painting of a man and woman, sitting on the fire escape outside of their apartment window

Two Figures on a Fire Escape, 1942. Collection of the National Gallery of Canada, Ottawa, gift of the Canadian Society of Painters in Water Colour, Toronto, 1958 (7371.4). Courtesy of the National Gallery of Canada. Photo credit: NGC.

Painting showing pedestrians walking under the raised tracks for the L Train in New York City

Under the El, 1945. Hart House Collection, Art Museum at the University of Toronto, donated by Richard M. Always, 1995 (HH1995.014). Courtesy of the Art Museum at the University of Toronto.

Painting of women in army uniforms and hats, with more uniformed women in the background

Untitled, 1944. Beaverbrook Collection of War Art, Canadian War Museum, Ottawa (19710261-5820). Courtesy of the Canadian War Museum.

Painting of a crowd of people walking in the street, carrying many American flags

War Parade, New York, 1944. Collection of the National Gallery of Canada, Ottawa, purchased 1950 (5025). Courtesy of the National Gallery of Canada. Photo credit: NGC.

Painting of a busy street with a solder coming home from war to embrace his family, as neighbours watch from outside and in windows as they wait for their soldiers to return, and some neighbours mourn and cry

When Johnnie Comes Marching Home, c.1946. Collection of the Leonard and Bina Ellen Art Gallery, Concordia University, gift of Mrs. Florence Millman in memory of Leo Millman, 1964 (964.37). Courtesy of the Leonard and Bina Ellen Art Gallery. Photo credit: Paul Smith.

Painting of women beside a body of water, leaning down to the water's edge as their use knives to clean fish

Women Cleaning Fish, c.1927. Collection of the National Gallery of Canada, Ottawa, purchased 1993 (37029). Courtesy of the National Gallery of Canada. Photo credit: NGC.

Painting of a young girl in a windowsill with plants in the foreground, with an apartment building across the street in the background, showing people looking out of many windows

Young Girl at the Window, c.1941. Collection of the McMichael Canadian Art Collection, Kleinburg, purchased 1985 (1985.40). Courtesy of the McMichael Canadian Art Collection.

Credits for Photographs and Works by Other Artists

Black and white photograph of five people in traditional clothing in front of two white tents.

Amos Big Stoney and family from Stoney reserve, Alberta, 1889. Glenbow Archives, Calgary. Courtesy of Glenbow Archives.

Black and white photograph of a women and two men and a women reading a newspaper.

At the Kingston Conference (left to right: Pegi Nicol MacLeod, A.Y. Jackson, André Biéler). Photograph by Hazen Sise, Ottawa. Library and Archives Canada, Ottawa (Image numberTK). Courtesy of Library and Archives Canada.

Men and women standing in a classrom working with plaster on canvas standing on easles

Atelier de modelage decorative ornamental, École des beaux-arts de Montréal, 1924 (Pegi Nicol MacLeod in the centre). Photographer unknown. Fonds d’archives de l’École des beaux-arts de Montréal, Archives UQAM (5P-610:01/5 F1-6). Courtesy of Fonds d’archives de l’École des beaux-arts de Montréal, Archives UQAM.

A still life oil painting depicting a tilted basket of green and red apples overflowing onto a white tablecloth, alongside a dark bottle and a small plate of pastries on a wooden table.

The Basket of Apples, c.1893, by Paul Cézanne. Art Institute of Chicago, Helen Birch Bartlett Memorial Collection (1926.252). Courtesy of the Art Institute of Chicago.

Painting of a women sitting in a bathing suit

The Bather, 1930, by Prudence Heward. Collection of Art Windsor-Essex. Purchase, 1974 (1974.010). Courtesy of Art Windsor-Essex.

Drawing of still life with bottles, a vase and flower and bolw with many flowers.

Blue Bottle, 1931, by David Milne. Collection of the National Gallery of Canada, Ottawa. Vincent Massey Bequest, 1968 (15527r). Courtesy of the National Gallery of Canada. Photo credit: NGC.

Painting of a tank driving through city ruins in Italy during World War II

Canadian Armour Passing Through Ortona, 1944, by Charles Comfort. Beaverbrook Collection of War Art, Canadian War Museum, Ottawa (19710261-2152). Courtesy of the Canadian War Museum.

Painting of a room with female soliders doing various things. One solider is holding tray of various desserts, another writing something at a table and others in conversation.

Canteen, Nijmegen, Holland, 1945, by Molly Lamb Bobak. Beaverbrook Collection of War Art, Canadian War Museum, Ottawa (19710261-1561). Courtesy of the Canadian War Museum.

Abstract painting showing eyes, stars, animals, and shapes, in shades of black, red, and blue

Ciphers and Constellations, in Love with a Woman, 1941, by Joan Miró. Art Institute of Chicago. Gift of Mrs. Gilbert W. Chapman (1953.338). © 2018 Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris. Courtesy of the Art Institute of Chicago.

Black and white photograph of a group of women posing while holding empty frames around their faces.

Class photograph, 1941, Madge Smith Fonds. Photographer unknown. Provincial Archives of New Brunswick, Fredericton. Courtesy of the Provincial Archives of New Brunswick.

Cover of a book showing an Indigenous illustrated thunderbird

Cover of Exhibition of Canadian West Coast Art: Native and Modern (National Gallery of Canada, 1927). National Gallery of Canada Library and Archives. Photo credit: NGC.

Cover of book, showing a wintery scene of a house with a man and his horse in the background, and a mother with her child in the foreground

Cover of The Fine Arts in Canada by Newton MacTavish (Coles Publishing Co., 1973).

Black and white cover with text and image of a horse pulling a sled with a person in it.

Cover of the January 1925 issue of the Canadian Forum, Rare Books and Special Collections, McGill University Libraries, Montreal.

Cover of a book showing a woman wearing an off-shoulder white dress and holding flowers

Cover of Pegi by Herself: The Life of Pegi Nicol MacLeod by Laura Brandon (McGill-Queen’s University Press, 2005).

Book cover featuring a black and white painting of a woman's self-portrait

Cover of Pegi Nicol MacLeod 1904–1949: Memorial Exhibition (National Gallery of Canada, 1949). Photo credit: NGC.

Book cover showing a painting of a woman looking over her shoulder to the reader

Cover of Uninvited: Canadian Women Artists in the Modern Moment (McMichael Collection of Canadian Art, 2021).

Painting of a womens profile holding a child wrapped in cloth.

Flat Head Woman and Child, Caw-wacham, Cowlitz, c.1849–52, by Paul Kane. Collection of the Royal Ontario Museum, Toronto. Gift of Sir Edmund Osler (912.1.80). Courtesy of the Royal Ontario Museum.

Painting of nine figures in green military coats and gas masks standing in a snowy courtyard against a brick wall.

Gas Drill, 1944, by Molly Lamb Bobak. Beaverbrook Collection of War Art, Canadian War Museum, Ottawa (19710261-1603). Courtesy of the Canadian War Museum.

Painting of a nude women lying down on a grass under a tree.

Girl Under a Tree, 1931, by Prudence Heward. Collection of the Art Gallery of Hamilton. Gift of the artist’s family, 1961 (61.72.4). Courtesy of the Hamilton Art Gallery.

Black and white photograph of a group of women sitting on a gym team

Gym team at Lisgar School, 1920. Photographer unknown. Charles Fraser Comfort Fonds, Library and Archives Canada, Ottawa (image numberTK). Courtesy of Library and Archives Canada.

Black and white photograph of a room holing various indigenous pieces.

Installation view of Exhibition of Canadian West Coast Art: Native and Modern, National Gallery of Canada, 1927. PhotographerTK. National Gallery of Canada Library and Archives, Ottawa. Photo credit: NGC.

Landscape painting of a tree with water and mountains in the background.

Jack Pine, 1916-17, by Tom Thomson. National Gallery of Canada, Ottawa. Purchased 1918 (1519). Courtesy of the National Gallery of Canada. Photo credit: NGC.

Painting of soliders on a boat on the water with 3 other boats of soliders in the background.

Landing Craft Assault Off Southern France, 1944, by Alex Colville. Beaverbrook Collection of War Art, Canadian War Museum, Ottawa (19710261-1679). Courtesy of the Canadian War Museum.

Black and white photograph of two women

Madge Smith and Pegi Nicol MacLeod in front of Madge’s shop, Fredericton, n.d. Photographer unknown. Madge Smith Fonds, National Gallery of Canada Library and Archives, Ottawa. Courtesy of the National Gallery of Canada. Photo credit: NGC.

Painting of two shipping boats in a harbour beside a towering factory

Montreal Port, 1924, by Adrien Hébert. Collection of the Musée national des beaux-arts du Québec. Purchase, gift of Maurice Corbeil and Nahum Gelber (1985.6). Courtesy of the Musée national des beaux-arts du Québec. Photo credit: MNBAQ.

Black and white illustration of multiple women in a kitchen

My Day at the Canteen, c.1942, by Dorothy Stevens. Collection of Library and Archives Canada, Ottawa. Courtesy of Library and Archives Canada.

A self-portrait of Paraskeva Clark.

Myself, 1933, by Paraskeva Clark. Collection of the National Gallery of Canada, Ottawa. Purchased 1974 (18311). Courtesy of the National Gallery of Canada. Photo credit: NGC.

Painting of a street light and tall red building with the moon peaking out behind clouds.

New York Street with Moon, 1925, by Georgia O’Keeffe. Thyssen-Bornemisza Museo Nacional, Madrid. Carmen Thyssen Collection (CTB.1981.76). Courtesy of the Thyssen-Bornemisza Museo Nacional.

Painting of a nude women standing wearing green heels posing in front of a light pink chair and painting on an easle.

Nude in the Studio, 1933, by Lilias Torrance Newton. Collection of A.K. Prakash. Courtesy ofTK.

Painting showing a wintery scene with a man walking with a cane and a tall church in the background

Over Vitebsk, 1914, by Marc Chagall. Collection of the Art Gallery of Ontario, Toronto. Gift of Sam and Ayala Zacks, 1970 (71/85). Courtesy of the Art Gallery of Ontario. Photo credit: AGO.

Black and white photograph of a groupd of people in a home

Party for Pegi Nicol MacLeod and Marian Dale Scott at Bertram Brooker’s house, Toronto, 1933. Photograph by Charles Comfort. Library and Archives Canada, Ottawa (image numberTK). Courtesy of Library and Archives Canada.

Painting showing a room full of people seated on long benches at long tables, with two men bringing in plates of food to serve

The Peasant Wedding, c.1567, by Pieter Bruegel the Elder. Collection of the Kunsthistorisches Museum, Vienna. Collection Leopold Wilhelm (Gemäldegalerie, 1027). © Kunsthistorisches Museum, Gemäldegalerie.

Two young girls posing for a photograph.

Pegi, aged about two, with Isa Austin, n.d. Photographer unknown. Laura Brandon Fonds, National Gallery of Canada Library and Archives. Courtesy of the National Gallery of Canada. Photo credit: NGC.

Black and white photograph of a young girl, man, women holding a baby and another women stading infront of a black car parked on street.

Pegi, Jane, Louise Comfort and daughter, and René Cera in Toronto, June 1938. Photograph by Charles Comfort. Charles Comfort Fonds, Library and Archives Canada, Ottawa (image numberTK). Courtesy of Library and Archives Canada.

Black and white photograph of a woman standing over a large mural depicting many faces of men, women, and children

Pegi and her Woodstock mural, 1941. Photographer unknown. Provincial Archives of New Brunswick, Fredericton (image numberTK). Courtesy of?

Black and white photograph of a women and man sitting in grass

Pegi and Norman MacLeod, c.1936. Photographer unknown. Laura Brandon Fonds, National Gallery of Canada Library and Archives, Ottawa. Courtesy of the National Gallery of Canada. Photo credit: NGC.

Black and white photograph of a women sitting on concrete steps outside a building

Pegi Nicol MacLeod, c.1940. Photographer unknown. Madge Smith Fonds, Provincial Archives of New Brunswick, Fredericton (P120-23-8). Courtesy of the Provincial Archives of New Brunswick.

Aritst Pegi Nicol Macleod posing for a photograph

Pegi Nicol MacLeod in Madge Smith’s shop on Queen Street, Fredericton, 1945. Photograph by Madge Smith. Madge Smith Fonds, National Gallery of Canada Library and Archives, Ottawa. Courtesy of the National Gallery of Canada. Photo credit: NGC.

Black and white photograph of a women and her daughter

Pegi Nicol MacLeod outside Madge Smith’s shop posing on downtown street with daughter Jane (approximately twelve years old). Photograph by Madge Smith. Provincial Archives of New Brunswick, Fredericton (P120-23-2). Courtesy of the Provincial Archives of New Brunswick.

Black and white photograph of a women painting outside on a canvas and easle

Pegi Nicol MacLeod working on an easel at the observatory, University of New Brunswick, Fredericton, n.d. Photograph by Madge Smith. National Gallery of Canada Library and Archives. Courtesy of the National Gallery of Canada. Photo credit: NGC.

Black and white photograph of female artist Pegi Nicol

Pegi on her wedding day, 1936. Photograph by Allan Sangster. Laura Brandon Fonds, National Gallery of Canada Library and Archives, Ottawa. Courtesy of the National Gallery of Canada. Photo credit: NGC.

Black and white photograph of women on skis next to a tree in a snow.

Pegi on skis, n.d. Photograph by Eric Brown. Laura Brandon Fonds, National Gallery of Canada Library and Archives (image numberTK). Courtesy of the National Gallery of Canada Library and Archives. Photo credit: NGC.

Black and white photograph of a women sitting on the ground while painting

Pegi working on the set for The Piper at Hart House, University of Toronto, 1934. Photograph by Allan Sangster, Ashley & Crippen. University of Toronto Archives. Hart House Theatre Fonds (A1975-0009/016P(23)). Courtesy of University of Toronto Archives.

Painting of fields and a plough.

The Plough, 1931–33, by Anne Savage. Collection of the Montreal Museum of Fine Arts. Gift of Arthur B. Gill (1970.1652). Courtesy of the Montreal Museum of Fine Arts. Photo credit: MMFA.

Painting of woman sitting in a wicker chair while smoking a pipe

Portrait of Anna Roslund, 1917, by Gabriele Münter. Leicester Museums and Galleries.

Painting of a woman looking forward, with a green, pink, and orange background

Portrait of Madame Matisse, The Green Line, 1905, by Henri Matisse. Statens Museum for Kunst, Copenhagen (KMSr.171). Courtesy of the Statens Museum for Kunst.

Painting of a nude women reclining on a couch

Reclining Nude, 1928, by Suzanne Valadon. Metropolitan Museum of Art, New York. Robert Lehman Collection, 1975 (1975.1.214). Courtesy of the Metropolitan Museum of Art.

Black and white photograph of man at a type writer with a pipe in his mouth.

Richard Finnie typing notes at his “Kogluktuk” base, January 1931. Photographer unknown. Library and Archives Canada, Ottawa (image numberTK). Courtesy of Library and Archives Canada.

Painting of sunlight streaming through a forest with tall trees

Sombreness Sunlit, c.1938–40, by Emily Carr. B.C. Archives Collection, Royal B.C. Museum, Victoria (PDP00633). Courtesy of the B.C. Archives.

Painting of a curved staircase with a women and man walking down it and a building in the background.

Stairway, c.1940, by Marian Dale Scott. Collection of the Montreal Museum of Fine Arts. Purchase, A. Sidney Dawes Fund (1942.749). Courtesy of the Montreal Museum of Fine Arts. Photo credit: MMFA.

Landscape painting of a tree blown in the wind with water below.

Stormy Weather, Georgian Bay, 1921, by F.H. Varley. Collection of the National Gallery of Canada, Ottawa. Purchased 1921 (1814). Courtesy of the National Gallery of Canada. Photo credit: NGC.

Abstract painting by Bertram Brooker of a semi-human figure made of faceted, multicoloured shapes hurling itself across the canvas in a robotic way. In the background are horizontal shapes stacked like pyramids and rays of light.

Striving, c.1930, by Bertram Brooker. Private collection. Courtesy ofTK.

Black and white image of a house.

370 Second Avenue, Ottawa, c.1928. Photographer unknown. City of Ottawa Archives, MG341-06 (53 D 94). Courtesy of the City of Ottawa Archives.

Abstract painting showing large paint splatters in yellow, orange, and light and dark green

Untitled, 1992, by Joan Mitchell. Making Their Mark Foundation, New York. Courtesy of the Joan Mitchell Foundation. © Estate of Joan Mitchell.

Painting of artist Frida Kahlo, wearing a white shirt under a necklace of thorns and a hummingbird, looking forward with a black cat on one shoulder and a black monkey on the other shoulder, and two dragonflies above her head

Untitled (Self-Portrait with Thorn Necklace and Hummingbird), 1940, by Frida Kahlo. Nickolas Muray Collection of Mexican Art, Harry Ransom Center, University of Texas at Austin (66.6). Courtesy of the Harry Ransom Center, University of Texas at Austin.

A painting of a women with a white collar and red dress with her hair braided and pinned back.

Woman with a White Collar, 1936, by John Lyman. National Gallery of Canada, Ottawa. Purchased 1958 (6942). Courtesy of the National Gallery of Canada. Photo credit: NGC.

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Library and Archives Canada Cataloguing in Publication

Title: Pegi Nicol MacLeod: life & work / by Devon Smither.

Names: Smither, Devon, author. | MacLeod, Pegi Nicol, 1904-1949. Works. Selections. | Art Canada Institute, issuing body.

Description: Includes bibliographical references.

Identifiers: Canadiana 20260165719 | ISBN 9781487103941 (HTML) | ISBN 9781487103958 (PDF)

Subjects: LCSH: MacLeod, Pegi Nicol, 1904-1949. | LCSH: MacLeod, Pegi Nicol, 1904-1949—Criticism and interpretation. | LCSH: Women painters—Canada—Biography. | LCGFT: Biographies.

Classification: LCC ND249.M292 S65 2026 | DDC 759.11—dc23

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