Acknowledgements
From the Art Canada Institute
The Art Canada Institute gratefully acknowledges the generosity of Power Corporation of Canada, Season Sponsor, 2026–2027 Publications.
A heartfelt thank you to the sponsors of this publication:
TK
We thank the Founding Sponsor of the Art Canada Institute: BMO Financial Group.
Finally, we acknowledge the generosity of all those who support the Art Canada Institute and make our work possible.
From the Author
Many thanks to Sara Angel and the Art Canada Institute team for their commitment to this project and, perhaps most importantly, for their persistent encouragement (and gentle pressure) to see this important book through to completion. I am especially grateful to Victoria Nolte for her generous insights and thoughtful suggestions throughout the process, and to my editor, Sarah Brohman, whose careful reading and perceptive guidance strengthened the manuscript in countless ways. My sincere thanks to the reviewers for their thoughtful feedback and to everyone at the Art Canada Institute who contributed to bringing this book to life.
I am deeply grateful to my father, Julian Smither, who first introduced me to Pegi Nicol MacLeod’s work. His love of art, film, and culture has left an indelible mark on me and shaped the way I look at the world.
I would also like to thank the many archivists, curators, and collections staff who assisted me along the way. Their generosity made this book possible.
Finally, I thank my family, with love, for their unwavering encouragement and support throughout the writing of this book.
Image Sources
Every effort has been made to secure permissions for all copyrighted material. The Art Canada Institute will gladly correct any errors or omissions.
The Art Canada Institute would like to thank the following for their assistance: Agnes Etherington Art Centre, Queen’s University (Gabriel Bevilacqua); Alan Klinkhoff Gallery (Alan Klinkhoff, Yasmeen Khoury); Archives UQAM (Gabriel Pilon); Art Gallery of Greater Victoria (Salma Naili); Art Gallery of Hamilton (Andrea Howard); Art Gallery of Ontario (Alexandra Cousins); Art Museum at the University of Toronto (Alex King); Art Windsor-Essex (Emily McKibbon, Kirstie Montague); Canadian War Museum (Shannyn Johnson); City of Ottawa Archives (Emily Greenlaw; Katie Hull); Cowley Abbott (Julia De Kwant); Glenbow Archives (Chelsea Ambler); Heffel Fine Art (Martie Giefert); Leonard & Bina Ellen Art Gallery, Concordia University (Ronald Rose-Antoinette); Library and Archives Canada (France Vachon); McMichael Canadian Art Collection (Briana Pellizzari-Lento); Montreal Museum of Fine Arts (Marie-Claude Saia); Musée d’art contemporain de Montréal (Florence Morissette, Drinalba Sherifi); Musée national des beaux-arts du Québec (Julie Bouffard); National Gallery of Canada (Valérie Gauthier, Emma Metcalfe Hurst, Emily Putnam); Ottawa Art Gallery (Stephanie Germano); Provincial Archives of New Brunswick (Keith Macknight); Rare Books and Special Collections, McGill University Libraries (Jennifer Garland, Alexandra Kohn); Robert McLaughlin Gallery (Sonya Jones); Royal BC Museum (Ross Gamble); Royal Ontario Museum (Nicola Woods); University of New Brunswick Art Centre (Lori Quick); University of Toronto Archives & Record Management Services (Chloe Chaitov); Waddington’s Auctioneers and Appraisers (Solomon Alaluf); Winnipeg Art Gallery–Qaumajuq (Nicole Fletcher, Sydney Murchison); Laura Brandon.
ACI recognizes the additional private collectors who have given permission for their works to be published in this edition.
Credits for Cover Images

Pegi Nicol MacLeod, School in a Garden, c.1933. (See below for details.)

Pegi Nicol MacLeod, Untitled, 1944. (See below for details.)
Credits for Banner Images

Biography: Pegi Nicol MacLeod in Madge Smith’s shop on Queen Street, Fredericton, 1945. (See below for details.)

Key Works: Pegi Nicol MacLeod, A Descent of Lilies, 1935. (See below for details.)

Significance & Critical Issues: Pegi Nicol Macleod, New York Tenement, n.d. (See below for details.)

Style & Technique: Pegi Nicol MacLeod, The Tangled Garden, 1935. (See below for details.)

Sources & Resources: Pegi Nicol MacLeod, School in a Garden, c.1934. (See below for details.)

Where to See: Pegi Nicol MacLeod, Chinatown, Toronto, c.1936. (See below for details.)

Copyright & Credits: Pegi Nicol MacLeod, Narcissus, c.1931. (See below for details.)
Credits for Works by Pegi Nicol MacLeod

Amateur Hockey, n.d. Private collection. Courtesy of Alan Klinkhoff Gallery, Toronto. Photo credit: Alan Klinkhoff Gallery.

Ashbury Hill, c.1925. Collection of the Art Gallery of Ontario, Toronto, purchase history and accession numberTK. Courtesy of the Art Gallery of Ontario. Photo credit: AGO.

Babies, 1938. Private collection. Courtesy of Heffel Fine Art Fine Art Auction House, Vancouver.

Bank Street Bridge, 1930. Collection of the Art Gallery of Ontario, Toronto, purchased 1981 (81/6). Courtesy of the Art Gallery of Ontario. Photo credit: AGO.

Basket Still Life, 1934–37. Collection of the Art Gallery of Ontario, Toronto, gift of Elizabeth and Tony Comper, 2011 (2011/314). Courtesy of the Art Gallery of Ontario. Photo credit: AGO.

Bianinetnan, Aged Indian Woman of Hagwelget Canyon, c.1928. Collection of Tim Godfrey, Calgary. Courtesy not currently available.

Blind Joe’s Wife, 1932. Collection of the National Gallery of Canada, Ottawa (23672). Courtesy of the National Gallery of Canada. Photo credit: NGC.

Building, Street Scene, New York, c.1940. Private collection. Courtesy of Cowley Abbott, Toronto.

Bunks, 1944. Private collection. Courtesy of Waddington’s Auctioneers and Appraisers, Toronto.

Children in Pliofilm, 1939. Collection of the National Gallery of Canada, Ottawa, purchased 1950 (5020). Courtesy of the National Gallery of Canada. Photo credit: NGC.

Chinatown, Toronto, c.1936. Collection of Art Windsor-Essex, Gift of Caven Atkins in memory of his wife, May Pepper Atkins, 1977 (1977.046). Courtesy of Art Windsor-Essex.

Christmas Tree and Skaters, Rockefeller Plaza, 1946. Collection of the National Gallery of Canada, Ottawa, purchased 1950 (5024). Courtesy of the National Gallery of Canada. Photo credit: NGC.

Cold Window, 1937. Collection of the National Gallery of Canada, Ottawa, purchased 1974 (17660). Courtesy of the National Gallery of Canada. Photo credit: NGC.

Costume for a Cold Studio (Self-Portrait), c.1930. Collection of the Robert McLaughlin Gallery, Oshawa, purchased 1981 (1981MR26). Courtesy of the Robert McLaughlin Gallery.

CWAC Beauty Parlour # 1, 1944. Beaverbrook Collection of War Art, Canadian War Museum, Ottawa (19710261-5749). Courtesy of the Canadian War Museum.

A Descent of Lilies, 1935. Collection of the National Gallery of Canada, Ottawa, purchased 1993 (37056). Courtesy of the National Gallery of Canada. Photo credit: NGC.

Dormitory, 1945. Beaverbrook Collection of War Art, Canadian War Museum, Ottawa (19710261-5828). Courtesy of the Canadian War Museum.

Figures Sunning, c.1934. Collection of Art Windsor-Essex, Gift of Dr. and Mrs. Charles Comfort, 1976 (1976.026). Courtesy of Art Windsor-Essex.

“Five O'Clock.” Canadian Forum 16 (October 1936), page 17, Rare Books and Special Collections, McGill University Libraries, Montreal.

Fugue, c.1945. Collection Lavalin du Musée d’art contemporain de Montréal (A 92 1057 P 1). Courtesy of the Musée d’art contemporain de Montréal.

Harbour Bridge, c.1933. Collection of John and Lynda Shearer. Photo credit: John Shearer.

Hazelton, 1928. Collection of the National Gallery of Canada, Ottawa, Gift of Margaret Shugg, Ottawa, 2000, in memory of O.J.W. Shugg (40366). Courtesy of the National Gallery of Canada. Photo credit: NGC.

Hooked rugs, Fredericton Region Museum. (information currently unavailable)

Jane Asleep, 1944. Collection of the Art Gallery of Greater Victoria, Gift of Mrs. F. Maud Brown (1955.009.001). Courtesy of the Art Gallery of Greater Victoria.

Jane at a Party, 1945. Collection of the Art Gallery of Greater Victoria, Gift of Mrs. F. Maud Brown (1955.008.001). Courtesy of the Art Gallery of Greater Victoria.

Jane MacLeod, 1940. Collection of Library and Archives Canada, Ottawa. Courtesy of Library and Archives Canada.

Jarvis Street Sidewalk, c.1935-36. Collection of the Art Gallery of Ontario, Toronto, purchased 1939 (2525). Courtesy of the Art Gallery of Ontario. Photo credit: AGO.

Jump Rope, c.1945. Private collection. Courtesy of Cowley Abbott, Toronto.

L.A.W. MacDonald, 1944. Beaverbrook Collection of War Art, Canadian War Museum, Ottawa (19710261-5781). Courtesy of the Canadian War Museum.

The Log Run, c.1930. Collection of Laura and Byrne Harper. Courtesy of Winnipeg Art Gallery-Qaumajuq. Photo credit: Ernest Mayer.

“Merry Christmas.” Canadian Forum 16 (December 1936), page 13, Rare Books and Special Collections, McGill University Libraries, Montreal.

Montreal Harbour from St. Helen’s Island, 1933. National Gallery of Canada, Ottawa, Vincent Massey Bequest, 1968 (15504). Courtesy of the National Gallery of Canada. Photo credit: NGC

Montreal Street Corner, 1928. Collection of Charles Gordon, Ottawa. Courtesy of Charles Gordon. Photo credit: David Barbour.

Morley Station, 1927. Private collection. Courtesy of Cowley Abbott, Toronto.

Morning Parade, 1944. Beaverbrook Collection of War Art, Canadian War Museum, Ottawa (19710261-5784). Courtesy of the Canadian War Museum.

My Western Cousin, c.1927–29. Private collection. Courtesy of Winnipeg Art Gallery-Qaumajuq. Photo credit: Ernest Mayer.

Narcissus, c.1931. Collection of the Robert McLaughlin Gallery, Oshawa, purchased 1981 (1981MR29). Courtesy of the Robert McLaughlin Gallery.

New York Apartment View—Manhattan, c.1940. Collection of the Art Gallery of Ontario, Toronto, Gift of Elizabeth and Tony Comper, 2011 (2011/324). Courtesy of the Art Gallery of Ontario. Photo credit: AGO.

New York Street Scene—Tenement Folks Washing Up, n.d. University College Collection, Art Museum at the University of Toronto, Gift of Professor Barker Fairley (UC328). Courtesy of the Art Museum at the University of Toronto.

New York Tenement, n.d. Private collection. Courtesy of Cowley Abbott, Toronto.

New York World’s Fair, c.1940. Private collection. Courtesy of Waddington’s Auctioneers and Appraisers, Toronto.

Nuns on Jarvis Street, c.1935. Firestone Collection of Canadian Art, Ottawa Art Gallery, Donated to the City of Ottawa by the Ontario Heritage Foundation (FAC 1552). Courtesy of the Ottawa Art Gallery.

Orchestra Sketch I, c.1948. Collection of the National Gallery of Canada, Ottawa. Provenance unknown (16793). Courtesy of the National Gallery of Canada. Photo credit: NGC.

Orchestra Sketch II, c.1948. Collection of the National Gallery of Canada, Ottawa. Provenance unknown (16792). Courtesy of the National Gallery of Canada. Photo credit: NGC.

The Peace Bird, 1946. Collection of the Art Gallery of Greater Victoria. Gift of Mrs. F. Maud Brown (1981.009.001). Courtesy of the Art Gallery of Greater Victoria.

Pegi by Herself, c.1926. Laura Brandon Collection of Canadian Women’s Art, Ottawa Art Gallery, Gift of Laura Brandon, 2016 (2016.12.02). Courtesy of the Ottawa Art Gallery.

Pegi with Cyclamens, 1936. Collection of the Art Gallery of Ontario, Toronto, Gift of Louise and Charles Comfort, Ottawa, in memory of the artist, 1987 (87/180). Courtesy of the Art Gallery of Ontario. Photo credit: AGO.

Ponies, n.d. University of New Brunswick Art Centre, Fredericton, Gift of Madge Smith (64.10). Courtesy of the University of New Brunswick Art Centre.

Portrait in the Evening, 1926. Collection of the National Gallery of Canada, Ottawa, purchased 1927 (3510). Courtesy of the National Gallery of Canada. Photo credit: NGC.

Public School Garden, 1934. Collection of the Art Gallery of Greater Victoria, gift of Mrs. June Mayall, 1980 (1980.092.001). Courtesy of the Art Gallery of Greater Victoria.

Salmon in the Galley, 1944. Beaverbrook Collection of War Art, Canadian War Museum, Ottawa (19710261-5806). Courtesy of the Canadian War Museum.

School in a Garden, c.1933. Private collection. Courtesy of Cowley Abbott, Toronto.

School in a Garden, c.1934. Collection of the National Gallery of Canada, Ottawa, Vincent Massey Bequest, 1968 (15506). Courtesy of the National Gallery of Canada. Photo: NGC.

Self-Portrait, c.1928. Collection of the Agnes Etherington Art Centre, Queen’s University, Kingston, Gift of the Estate of Richard Finnie, 1995 (38-013.02). Courtesy of the Agnes Etherington Art Centre.

Self-Portrait, c.1935. Collection of the Art Gallery of Ontario, Toronto, purchase history and accession numberTK. Courtesy of the Art Gallery of Ontario. Photo credit: AGO.

Self-Portrait with Begonia, c.1935. Private collection. Courtesy of Heffel Fine Art Auction House, Vancouver.

Self-Portrait with Jane, c.1939. Collection of the Winnipeg Art Gallery, purchase history and accession numbertTK. Courtesy of Winnipeg Art Gallery-Qaumajuq. Photo creditTK.

Skeena Landscape, c.1928. Private collection. Courtesy of Heffel Fine Art Auction House, Vancouver.

The Slough (recto), 1928. Private collection. Courtesy not currently available.

Square, Fredericton, c.1943. Collection of the Art Gallery of Ontario, Toronto, gift from the J.S. McLean Collection, 1969, Donated by the Ontario Heritage Foundation, 1988 (L69.28). Courtesy of the Art Gallery of Ontario. Photo credit: AGO.

The Tangled Garden, 1935. Collection of the Art Gallery of Ontario, Toronto, purchase historyTK (80/22). Courtesy of the Art Gallery of Ontario. Photo credit: AGO.

Tapisserie des vaches, 1934. Collection of the Robert McLaughlin Gallery, Oshawa, gift of Melodie Massey, 1997 (1997MP65). Courtesy of the Robert McLaughlin Gallery.

Tenements, 1945. Collection of the National Gallery of Canada, Ottawa, purchased 1950 (5026). Courtesy of the National Gallery of Canada. Photo credit: NGC.

Toronto Victory Garden, c.1937. Collection of the Art Gallery of Ontario, Toronto, gift of Mrs. L. Marguerite Vaughan, Toronto, 1983 (83/243). Courtesy of the Art Gallery of Ontario. Photo credit: AGO.

Torso and Plants, c.1935. Collection of the Robert McLaughlin Gallery, Oshawa, purchased 1981 (1981MP19). Courtesy of the Robert McLaughlin Gallery.

Two Figures on a Fire Escape, 1942. Collection of the National Gallery of Canada, Ottawa, gift of the Canadian Society of Painters in Water Colour, Toronto, 1958 (7371.4). Courtesy of the National Gallery of Canada. Photo credit: NGC.

Under the El, 1945. Hart House Collection, Art Museum at the University of Toronto, donated by Richard M. Always, 1995 (HH1995.014). Courtesy of the Art Museum at the University of Toronto.

Untitled, 1944. Beaverbrook Collection of War Art, Canadian War Museum, Ottawa (19710261-5820). Courtesy of the Canadian War Museum.

War Parade, New York, 1944. Collection of the National Gallery of Canada, Ottawa, purchased 1950 (5025). Courtesy of the National Gallery of Canada. Photo credit: NGC.

When Johnnie Comes Marching Home, c.1946. Collection of the Leonard and Bina Ellen Art Gallery, Concordia University, gift of Mrs. Florence Millman in memory of Leo Millman, 1964 (964.37). Courtesy of the Leonard and Bina Ellen Art Gallery. Photo credit: Paul Smith.

Women Cleaning Fish, c.1927. Collection of the National Gallery of Canada, Ottawa, purchased 1993 (37029). Courtesy of the National Gallery of Canada. Photo credit: NGC.

Young Girl at the Window, c.1941. Collection of the McMichael Canadian Art Collection, Kleinburg, purchased 1985 (1985.40). Courtesy of the McMichael Canadian Art Collection.
Credits for Photographs and Works by Other Artists

Amos Big Stoney and family from Stoney reserve, Alberta, 1889. Glenbow Archives, Calgary. Courtesy of Glenbow Archives.

At the Kingston Conference (left to right: Pegi Nicol MacLeod, A.Y. Jackson, André Biéler). Photograph by Hazen Sise, Ottawa. Library and Archives Canada, Ottawa (Image numberTK). Courtesy of Library and Archives Canada.

Atelier de modelage decorative ornamental, École des beaux-arts de Montréal, 1924 (Pegi Nicol MacLeod in the centre). Photographer unknown. Fonds d’archives de l’École des beaux-arts de Montréal, Archives UQAM (5P-610:01/5 F1-6). Courtesy of Fonds d’archives de l’École des beaux-arts de Montréal, Archives UQAM.

The Basket of Apples, c.1893, by Paul Cézanne. Art Institute of Chicago, Helen Birch Bartlett Memorial Collection (1926.252). Courtesy of the Art Institute of Chicago.

The Bather, 1930, by Prudence Heward. Collection of Art Windsor-Essex. Purchase, 1974 (1974.010). Courtesy of Art Windsor-Essex.

Blue Bottle, 1931, by David Milne. Collection of the National Gallery of Canada, Ottawa. Vincent Massey Bequest, 1968 (15527r). Courtesy of the National Gallery of Canada. Photo credit: NGC.

Canadian Armour Passing Through Ortona, 1944, by Charles Comfort. Beaverbrook Collection of War Art, Canadian War Museum, Ottawa (19710261-2152). Courtesy of the Canadian War Museum.

Canteen, Nijmegen, Holland, 1945, by Molly Lamb Bobak. Beaverbrook Collection of War Art, Canadian War Museum, Ottawa (19710261-1561). Courtesy of the Canadian War Museum.

Ciphers and Constellations, in Love with a Woman, 1941, by Joan Miró. Art Institute of Chicago. Gift of Mrs. Gilbert W. Chapman (1953.338). © 2018 Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris. Courtesy of the Art Institute of Chicago.

Class photograph, 1941, Madge Smith Fonds. Photographer unknown. Provincial Archives of New Brunswick, Fredericton. Courtesy of the Provincial Archives of New Brunswick.

Cover of Exhibition of Canadian West Coast Art: Native and Modern (National Gallery of Canada, 1927). National Gallery of Canada Library and Archives. Photo credit: NGC.

Cover of The Fine Arts in Canada by Newton MacTavish (Coles Publishing Co., 1973).

Cover of the January 1925 issue of the Canadian Forum, Rare Books and Special Collections, McGill University Libraries, Montreal.

Cover of Pegi by Herself: The Life of Pegi Nicol MacLeod by Laura Brandon (McGill-Queen’s University Press, 2005).

Cover of Pegi Nicol MacLeod 1904–1949: Memorial Exhibition (National Gallery of Canada, 1949). Photo credit: NGC.

Cover of Uninvited: Canadian Women Artists in the Modern Moment (McMichael Collection of Canadian Art, 2021).

Flat Head Woman and Child, Caw-wacham, Cowlitz, c.1849–52, by Paul Kane. Collection of the Royal Ontario Museum, Toronto. Gift of Sir Edmund Osler (912.1.80). Courtesy of the Royal Ontario Museum.

Gas Drill, 1944, by Molly Lamb Bobak. Beaverbrook Collection of War Art, Canadian War Museum, Ottawa (19710261-1603). Courtesy of the Canadian War Museum.

Girl Under a Tree, 1931, by Prudence Heward. Collection of the Art Gallery of Hamilton. Gift of the artist’s family, 1961 (61.72.4). Courtesy of the Hamilton Art Gallery.

Gym team at Lisgar School, 1920. Photographer unknown. Charles Fraser Comfort Fonds, Library and Archives Canada, Ottawa (image numberTK). Courtesy of Library and Archives Canada.

Installation view of Exhibition of Canadian West Coast Art: Native and Modern, National Gallery of Canada, 1927. PhotographerTK. National Gallery of Canada Library and Archives, Ottawa. Photo credit: NGC.

Jack Pine, 1916-17, by Tom Thomson. National Gallery of Canada, Ottawa. Purchased 1918 (1519). Courtesy of the National Gallery of Canada. Photo credit: NGC.

Landing Craft Assault Off Southern France, 1944, by Alex Colville. Beaverbrook Collection of War Art, Canadian War Museum, Ottawa (19710261-1679). Courtesy of the Canadian War Museum.

Madge Smith and Pegi Nicol MacLeod in front of Madge’s shop, Fredericton, n.d. Photographer unknown. Madge Smith Fonds, National Gallery of Canada Library and Archives, Ottawa. Courtesy of the National Gallery of Canada. Photo credit: NGC.

Montreal Port, 1924, by Adrien Hébert. Collection of the Musée national des beaux-arts du Québec. Purchase, gift of Maurice Corbeil and Nahum Gelber (1985.6). Courtesy of the Musée national des beaux-arts du Québec. Photo credit: MNBAQ.

My Day at the Canteen, c.1942, by Dorothy Stevens. Collection of Library and Archives Canada, Ottawa. Courtesy of Library and Archives Canada.

Myself, 1933, by Paraskeva Clark. Collection of the National Gallery of Canada, Ottawa. Purchased 1974 (18311). Courtesy of the National Gallery of Canada. Photo credit: NGC.

New York Street with Moon, 1925, by Georgia O’Keeffe. Thyssen-Bornemisza Museo Nacional, Madrid. Carmen Thyssen Collection (CTB.1981.76). Courtesy of the Thyssen-Bornemisza Museo Nacional.

Nude in the Studio, 1933, by Lilias Torrance Newton. Collection of A.K. Prakash. Courtesy ofTK.

Over Vitebsk, 1914, by Marc Chagall. Collection of the Art Gallery of Ontario, Toronto. Gift of Sam and Ayala Zacks, 1970 (71/85). Courtesy of the Art Gallery of Ontario. Photo credit: AGO.

Party for Pegi Nicol MacLeod and Marian Dale Scott at Bertram Brooker’s house, Toronto, 1933. Photograph by Charles Comfort. Library and Archives Canada, Ottawa (image numberTK). Courtesy of Library and Archives Canada.

The Peasant Wedding, c.1567, by Pieter Bruegel the Elder. Collection of the Kunsthistorisches Museum, Vienna. Collection Leopold Wilhelm (Gemäldegalerie, 1027). © Kunsthistorisches Museum, Gemäldegalerie.

Pegi, aged about two, with Isa Austin, n.d. Photographer unknown. Laura Brandon Fonds, National Gallery of Canada Library and Archives. Courtesy of the National Gallery of Canada. Photo credit: NGC.

Pegi, Jane, Louise Comfort and daughter, and René Cera in Toronto, June 1938. Photograph by Charles Comfort. Charles Comfort Fonds, Library and Archives Canada, Ottawa (image numberTK). Courtesy of Library and Archives Canada.

Pegi and her Woodstock mural, 1941. Photographer unknown. Provincial Archives of New Brunswick, Fredericton (image numberTK). Courtesy of?

Pegi and Norman MacLeod, c.1936. Photographer unknown. Laura Brandon Fonds, National Gallery of Canada Library and Archives, Ottawa. Courtesy of the National Gallery of Canada. Photo credit: NGC.

Pegi Nicol MacLeod, c.1940. Photographer unknown. Madge Smith Fonds, Provincial Archives of New Brunswick, Fredericton (P120-23-8). Courtesy of the Provincial Archives of New Brunswick.

Pegi Nicol MacLeod in Madge Smith’s shop on Queen Street, Fredericton, 1945. Photograph by Madge Smith. Madge Smith Fonds, National Gallery of Canada Library and Archives, Ottawa. Courtesy of the National Gallery of Canada. Photo credit: NGC.

Pegi Nicol MacLeod outside Madge Smith’s shop posing on downtown street with daughter Jane (approximately twelve years old). Photograph by Madge Smith. Provincial Archives of New Brunswick, Fredericton (P120-23-2). Courtesy of the Provincial Archives of New Brunswick.

Pegi Nicol MacLeod working on an easel at the observatory, University of New Brunswick, Fredericton, n.d. Photograph by Madge Smith. National Gallery of Canada Library and Archives. Courtesy of the National Gallery of Canada. Photo credit: NGC.

Pegi on her wedding day, 1936. Photograph by Allan Sangster. Laura Brandon Fonds, National Gallery of Canada Library and Archives, Ottawa. Courtesy of the National Gallery of Canada. Photo credit: NGC.

Pegi on skis, n.d. Photograph by Eric Brown. Laura Brandon Fonds, National Gallery of Canada Library and Archives (image numberTK). Courtesy of the National Gallery of Canada Library and Archives. Photo credit: NGC.

Pegi working on the set for The Piper at Hart House, University of Toronto, 1934. Photograph by Allan Sangster, Ashley & Crippen. University of Toronto Archives. Hart House Theatre Fonds (A1975-0009/016P(23)). Courtesy of University of Toronto Archives.

The Plough, 1931–33, by Anne Savage. Collection of the Montreal Museum of Fine Arts. Gift of Arthur B. Gill (1970.1652). Courtesy of the Montreal Museum of Fine Arts. Photo credit: MMFA.

Portrait of Anna Roslund, 1917, by Gabriele Münter. Leicester Museums and Galleries.

Portrait of Madame Matisse, The Green Line, 1905, by Henri Matisse. Statens Museum for Kunst, Copenhagen (KMSr.171). Courtesy of the Statens Museum for Kunst.

Reclining Nude, 1928, by Suzanne Valadon. Metropolitan Museum of Art, New York. Robert Lehman Collection, 1975 (1975.1.214). Courtesy of the Metropolitan Museum of Art.

Richard Finnie typing notes at his “Kogluktuk” base, January 1931. Photographer unknown. Library and Archives Canada, Ottawa (image numberTK). Courtesy of Library and Archives Canada.

Sombreness Sunlit, c.1938–40, by Emily Carr. B.C. Archives Collection, Royal B.C. Museum, Victoria (PDP00633). Courtesy of the B.C. Archives.

Stairway, c.1940, by Marian Dale Scott. Collection of the Montreal Museum of Fine Arts. Purchase, A. Sidney Dawes Fund (1942.749). Courtesy of the Montreal Museum of Fine Arts. Photo credit: MMFA.

Stormy Weather, Georgian Bay, 1921, by F.H. Varley. Collection of the National Gallery of Canada, Ottawa. Purchased 1921 (1814). Courtesy of the National Gallery of Canada. Photo credit: NGC.

Striving, c.1930, by Bertram Brooker. Private collection. Courtesy ofTK.

370 Second Avenue, Ottawa, c.1928. Photographer unknown. City of Ottawa Archives, MG341-06 (53 D 94). Courtesy of the City of Ottawa Archives.

Untitled, 1992, by Joan Mitchell. Making Their Mark Foundation, New York. Courtesy of the Joan Mitchell Foundation. © Estate of Joan Mitchell.

Untitled (Self-Portrait with Thorn Necklace and Hummingbird), 1940, by Frida Kahlo. Nickolas Muray Collection of Mexican Art, Harry Ransom Center, University of Texas at Austin (66.6). Courtesy of the Harry Ransom Center, University of Texas at Austin.

Woman with a White Collar, 1936, by John Lyman. National Gallery of Canada, Ottawa. Purchased 1958 (6942). Courtesy of the National Gallery of Canada. Photo credit: NGC.
Book Credits
Publisher
Sara Angel
Senior Executive Editor
Victoria Nolte
Graphic Designer
Melosha Ratnasingham
Editor
Sarah Brohman
Copyeditor
Janice Weaver
Translator
Ginette Jubinville
Proofreaders
Ginette Jubinville and Janice Weaver
Image Research Associate
Philip Dombowsky
Production Designer
Kendra Stieler
Design Template
Underline Studios
copyright
© 2026 Art Canada Institute. All rights reserved.
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Library and Archives Canada Cataloguing in Publication
Title: Pegi Nicol MacLeod: life & work / by Devon Smither.
Names: Smither, Devon, author. | MacLeod, Pegi Nicol, 1904-1949. Works. Selections. | Art Canada Institute, issuing body.
Description: Includes bibliographical references.
Identifiers: Canadiana 20260165719 | ISBN 9781487103941 (HTML) | ISBN 9781487103958 (PDF)
Subjects: LCSH: MacLeod, Pegi Nicol, 1904-1949. | LCSH: MacLeod, Pegi Nicol, 1904-1949—Criticism and interpretation. | LCSH: Women painters—Canada—Biography. | LCGFT: Biographies.
Classification: LCC ND249.M292 S65 2026 | DDC 759.11—dc23