From a young age, Pegi Nicol MacLeod was committed to being an artist; her career was defined by formal experimentation and a sustained engagement with modernism, which led to her signature expressive visual style. Well known for her oil paintings, she was also a masterful watercolourist. MacLeod’s art defies easy categorization and demonstrates an understanding of international avant-garde movements tinged with Canadian influences, as seen in the following selection of works. An energetic and at times restless painter, MacLeod is most celebrated for her self-portraits and her dynamic portrayals of city life, wartime servicewomen, and interior scenes.

Pegi Nicol MacLeod, Women Cleaning Fish

Pegi Nicol MacLeod, Self-Portrait, c.1928

Pegi Nicol MacLeod, The Log Run, c.1930

Pegi Nicol MacLeod, Montreal Harbour from St. Helen’s Island, 1933

Pegi Nicol MacLeod, School in a Garden, c.1934

Pegi Nicol MacLeod, A Descent of Lilies, 1935

Pegi Nicol MacLeod, Cold Window, 1937

Pegi Nicol MacLeod, Torso and Plants, c.1935

Pegi Nicol MacLeod, Children in Pliofilm, 1939

Pegi Nicol MacLeod, Young Girl at the Window, c.1941

Pegi Nicol MacLeod, CWAC Beauty Parlour #1, 1944

Pegi Nicol MacLeod, Jump Rope, c.1945

Pegi Nicol MacLeod, When Johnnie Comes Marching Home, c.1946